Nadine Cranenburgh Archives · Neridah McMullin

Interview with Kevin Burgemeestre, Author/Illustrator

Posted on April 27, 2014April 16, 2019 by Neridah

This is Kev at a library visit, yep that is a pencil through his head. Photo: Nadine Cranenburgh 2013

Today, I’ve got Kevin Burgemeestre visiting my blog, celebrating the release of his new book ‘Kate’ published by Morris Publishing.

Kevin has illustrated over 50 children’s books since 1985. He wrote his first book ‘B is for Bravo’ in 2003 and illustrated it using amazing dioramas. He loves doing workshops for all ages. His other titles include ‘Antarctic Dad’ with Hazel Edwards and ‘The Uncle Eddie’ books with Lucy Farmer (Walker Books). Kev is an absolute performer at school workshops. Children (and adults alike) love him. He’s funny and inspiring, encouraging children to have a go at writing and drawing.

I was lucky enough to meet Kev as part of my Maurice Saxby Mentorship last year and he’s very generous in his support of emerging writers.

Congratulations Kev on the launch of your new YA novel, ‘Kate’.

A dangerous boy, an abandoned dog and one girl’s perilous road trip to personal growth. Meet Kate.

This is a story of growth and mistakes. Kate’s lucky to find Wilde, a battered, heroic hound she rescues from the streets, and Mal a troubled young man with a dark past. When things go really wrong they’ll need each other and they’ll have to run!

“Kate dug her hands deep into the pockets of her hoodie and sniffed; she hated how the cold weather made her nose run so freely. Her eye caught a motor-oil rainbow shimmering across the soft sheen on the damp asphalt and wondered briefly how it was that ugly things could sometimes appear so beautiful.”

‘Kate’ is also an illustrated novel, dotted with beautiful, dark and gritty, black and white images reflecting Kate’s dire situation.

I thoroughly enjoyed ‘Kate’ and read it in one sitting. I’ve got a few questions for you Kev… just hang on a tick while I get myself together. Okay.

1. Tell me, how did you evolve from being an Illustrator and becoming an Author/Illustrator? Did you always write?

Good question Neridah. Perhaps I didn’t always write, but even in primary school I told stories. If they were a little exaggerated perhaps I knew even then that even though I had deep enthusiasm and respect for non-fiction, fiction would always be my thing. I wrote remarkably pretentious, wordy and impenetrable poetry through my secondary years and wrote years of correspondence back to Australia whilst living and studying in Holland. It was all preparation for eventually taking up the pen and key and wielding the word.

For example, I illustrated Susan Kurosawa’s column in the Australian Newspaper for years. When I heard she was going on holidays I sent an email suggesting that I take over the writing of the column while she was away. So, whilst the editor had enough sense to not even acknowledge my offer (what did he know?) even then I felt that it was inevitable.

But wait, there’s more. I have always listened to and copied others speech patterns and am a little too probing when asking about people’s lives and experience. I love to stretch a tale, and am still a tad too pleased when I can make myself cry when writing. Are they the marks of a writer or what?

Absolutely they are. Making yourself cry is a skill.

2. How did the idea for Kate first come along? It feels and reads like a true story. What’s your advice to writers trying to achieve this?

Firstly, thank you for that compliment; I appreciate that specific endorsement of my characters from another writer. Kate feels real to me because she is an amalgam of girls I knew when I was growing up. She is also in part the friends of my children, my children, and young women I speak to when visiting schools.

I feel for the profound challenges they face growing up in our time. There is so much scrutiny and intrusion into their lives and yet they face so many disturbing chapters of their lives unseen and alone. I don’t think we manage the transition to puberty at all well and Kate reflects this.

We over protect them right up to pre-puberty, and then suddenly all ties are off. They have phones, almost unfettered access to the internet, an aggressive media modeling bizarre behaviour to them in prime time and magazines that describe a model of femininity that’s prime material for psychotherapy.

I also really like women and have many female friends, and they are all strong and capable. They are not without their insecurities but in spite of this they achieve highly, and on top of this they are loving, loyal, and at times very brave. Here’s to them.

How do you write characters like that? Pick some sound female friends. And don’t be afraid to listen to them.

Good on Kev. And I agree the challenges facing our teenagers are so different from our own.

3. You obviously love dogs, because Wild is a gorgeous creature. Do you have a dog?

When I was young both mum and dad worked, and after schools it was often our two very large dogs who greeted us when we came home. They were excellent companions, jealous protectors and entirely forgiving of our mean tricks and callousness. They taught us to be better people.

They were also a very soothing presence. School was such a confusing experience, and as a migrant others were often not as gracious as they might have been. Having a dog around you after a bad day is like taking an aspirin for a headache.

I don’t currently own a dog but speak to them often and everywhere. And of course as you might know money from this project goes to the lost dog’s home. We have never had an animal that hasn’t been rescued or inherited.

It’s a wonderful cause. Check it out at Lost Dogs Home in North Melbourne.

4. I found your book pretty fast paced. How do you approach writing that sort of action and dialogue? Do you stop to sleep?

ZZZZZZZZZZ. Oh sorry, I seemed to have dozed off.

Michael Dugan, whose work I illustrated early in my career was a perceptive and generous mentor. When we drove off into the country to conduct workshops we talked about all things.

He was a very successful writer and gave me some excellent advice. He said that especially when writing for young people it was important to make something happen on every page. As it turns out that’s not bad advice for any writer. When writing Kate I tried to keep pushing my characters Kate, Mal, Jess & Wilde into situations beyond where they were comfortable. It manufactured a tension that I kept trying to resolve in the writing. It created a sort of roller-coaster effect.

The other thing he stressed was to keep the language simple, sentences short but not to be afraid to launch into complex subject matter. When writing Kate that’s what drove the process.

Dialogue is very important to me. I am impressed how both Michael Dugan and John Marsden write clipped, elegant dialogue that infers so much more than it says. It is something I will always aspire to.

I agree, they’re amazing writers.

Well, thank you so much Kevin for so generously giving your time to answer these questions for me. I feel I know you so much better and there is some great writing advice in here. Good luck with your next project, I can’t wait to read to see it.

Kev & I at Toorak Library where I watched Kev take a school workshop. He was awesome fun!

If you’d like to buy a copy of Kate, she can found in any good bookstore or you easily can buy it on-line at Morris Publishing Australia.

Also, at this site you can read the first Chapter of ‘Kate’ and read a great review by Jill Smith.

Check out some of Kev’s other books. They’re absolutely wonderful.

‘B for Bravo’

Is an alphabet book that teaches the phonetic alphabet, celebrating 100 years of Australian aviation.

Published by Hachette/Lothian, 2003

‘Antarctic Dad’ written by Hazel Edwards & Illustrated by Kevin Burgemeestre

Published by Hachette/Lothian 2005

‘The Uncle Eddie’ Books written by Lucy Farmer & Illustrated by Kevin Burgemeestre

Published by Walker Books

Nadine’s Cranenburgh’s ‘Ten Graphic Novels & Visual Stories’

Posted on March 17, 2014 by Neridah

Following up from my interview with Children’s Writer, Nadine Cranenburgh…

Nadine has very kindly put a list together for us of ‘Ten Graphic Novels and Visual Stories: by Australian Creators’.

Thanks Nadine, I can’t wait to work my way through this list if books.

Hi Neridah, some of these aren’t really ‘graphic novels’ in the commonly accepted form, but use visual storytelling as a significant part of the narrative. That’s why I thought that maybe a better title would be ‘Ten Graphic Novels and Visual Stories by Australian Creators’.

Sounds good to me.

This list includes books for younger readers, teens and adults. There is probably a crossover in audiences, though, so my opinion isn’t definitive. I’ve used a very broad definition of ‘graphic novel’ here, including wordless picture books, illustrated novels and strange and wonderful amalgams of text, illustrations and more.

What they do have in common though is that they use visual storytelling (or a series of picture panels, with or without dialogue) to carry a significant part of the narrative; or use illustrations to provide an extra level to the story.

The audience definitions are also very subjective, and I’d recommend parents having a look at books to see if they agree with my judgement!

Also, it is far from a complete list, there are many other books out there that I haven’t had the pleasure of meeting yet, and many more still being created.

For younger readers (or all ages, if you like):

‘The Hero of Little Street’ by Gregory Rogers. A wordless picture book, Book 3 in the Boy Bear series. The Boy escapes a gang of Bullies by slipping into a Vermeer painting, meets a dog, and has an adventure in seventeenth century Holland. The first two books are on my to read list.

‘The Nelly Gang’ by Steven Axelson, trailer here: http://www.youtube.com/watch?v=CuuGtAejBf4. I haven’t read this yet, but it looks amazing.

‘The Arrival’ by Shaun Tan – This is an incredible story told without words, about moving to a new country and the strangeness, trials and wonders that entails. It is set in a fantastical world, but with many things that we can relate to. I know teachers who have used this book as a resource in the classroom with a great response from kids. I prefer to just enjoy and share it with my boys.

‘How to Heal a Broken Wing’ by Bob Graham – This is a wonderful picture book that uses visual storytelling for most of the narrative, with only very sparse (but beautiful) words to support it. A bird crashes into a skyscraper window and falls to the ground near Nelson’s Column in London. As the crowds swarm past, young Will, coming out of the underground with his mother, stops and helps. A touching story which works on many levels. It is endorsed by Amnesty International.

Getting older (teenage and up, although parents may choose to share with younger kids, I have)

‘Kate’ by Kevin Burgemeestre – This is a recent illustrated novel which combines a written story with several detailed illustrations, incorporating text motifs, which are presented as the work of the thirteen-year-old protagonist, Kate. It’s a compelling story which handles some hard-to-face themes sensitively for a young teenage audience and up. After a frightening encounter in a park, Kate is saved by the tough and elusive Mal. This sets her on a dangerous adventure, pursued by men who are convinced she has stolen something from them. Kate’s experience in drawing the illustrations is included in the text, and I think they add an extra level to her characterisation (her hero is artist Frida Kahlo).

‘Beyond the Dusk’ by Victor Kelleher and Gregory Rogers – This is a book I picked up secondhand (it was published in 2000, so it may be out of print). It is an illustrated novel which tells the story of Meg as a young teen in the mid-twentieth century. She is living with her grandmother on a farm, and feeling isolated from kids her own age and adults, who shun her for her ‘tall tales’. The tale follows Meg as she investigates a mysterious predator that is spooking the livestock. It turns out to be something very unusual indeed, but I won’t spoil the surprise. There are not many illustrations, but they are atmospheric and stark, really setting the mood.

‘Hamlet’ staged on the page by Nicki Greenberg – A visually stunning interpretation of the play, which takes the form of a cast of fantastical actors performing staging a production. The author has added wordless scenes showing what goes on behind the curtain as the play is performed, which adds another level of drama. I’ve been reading through it with my six-year-old, and we’ve had some very interesting discussions. Nicki also adapted ‘The Great Gatsby’ into graphic novel form.

‘Requiem for a Beast’ by Matt Ottley – This is an incredible book, that explores some dark and complex themes (murder, the stolen generation, depression) through a mixture of text and illustrations. There is also an accompanying CD with original compositions by Ottley, and which is a companion to the book. A young man goes to work as a stockman, and tries to come to terms with his father’s grim past. Although this is definitely a work for older readers, I have shared some of the illustrations with my young son – he actually picked the book up in a second hand store as he was attracted to the pictures. We’ve talked a little about the stolen generation, and I look forward to talking to him about some of the more complex themes as he gets older.

Older again (mainly because the story is told by older narrators, but that’s just my opinion)

‘Sensitive Creatures’ by Mandy Ord – This is a really sweet and funny collection of graphic short stories by Mandy Ord, many of which she self-published or published in literary journals before being approached to publish a graphic novel. It is set firmly in Melbourne, and covers many subjects we encounter daily: family relationships, friendship, dog ownership and dealing with bureaucracy among them. They are tied together with scenes of Mandy trying to get through a day of creating and procrastinating, which many writers and illustrators will relate to.

‘The Sacrifice’ by Bruce Mutard – this is on my to read list, and is a complex book set in Melbourne during World War II.

Wow – that’s quite a reading list – one of which I’m going to get cracking on ASAP. I’m off to the library!

Thanks so much Nadine for your time and insightfulness on Graphic Novels and Visual Stories.

Interview with Nadine Cranenburgh, Children’s Writer

Posted on February 27, 2014April 16, 2019 by Neridah

Nadine and I first met last year as mentees of the 2013 Maurice Saxby Mentorship. We had a ball together and are now firm writing buddies.

Nadine is a versatile and talented author, writing picture books, middle fiction and Junior Fiction through to YA and her current, awesome project: a hybrid Graphic Novel. She has been widely published in the Herald Sun, Magpies Magazine, Comet Magazine, Alphabet Soup and Ladybug Magazine in the U.S. Nadine’s work is clever and funny and sometimes downright scary! She also lectures in Children’s and Adult Writing at the University of Ballarat.

When Nadine’s not writing, she’s often seen out and about with her trusty camera, gathering stories in a different way. She takes the most beautiful and intriguing images. She didn’t take this one below though, her friend Ambrose took it while she was taking a picture through a water glass. I told you she was creative!

Thanks for coming on to my blog today, Nadine. How are things in sunny Ballarat?

Beautiful today! A little chilly, but I’m never complaining about the cold again after this blazing summer.

I agree, it was far too hot.

Now, I’ve got a few questions for you…just hang on a tick and I’ll get myself organised. Okay, Nadine tell me…

When did you first know you wanted to be an author?

I grew up in a house full of books, and my Mum was an English teacher, so I guess I’ve always been making up stories and dreaming about seeing them in print. I entered my first writing competition when I was five and scored runner up. I still have the prize (but not the story). It was good though, lots of small animals, mess and all kinds of trouble!

That’s so cool.

Do you have a writing background?

I got a bit sidetracked after leaving school. I applied for a journalism course but spent too long on the question about why I wanted to be a journalist and didn’t leave time to do the test! My second choice was Engineering (I was a big fan of McGyver) so I went with that. After uni I joined the Navy and did lots of other exciting things involving sailing and mountains before settling down to have a family. That’s when I decided to buckle down and make writing my career. I enrolled in the Professional Writing and Editing course at RMIT and haven’t looked back.

I loved McGyver too, he was very resourceful (and good looking)

Could you tell us about some of your publications?

It’s funny, but although I’ve always written and entered competitions, I only really thought about sending my work out to publishers when I started studying at RMIT. The first thing I sent out was a short story about dating (which was a bit of an anti-romance, really) and it was published online for the princely sum of $45.

I’ve also had a couple of short stories for kids published in Alphabet Soup and Comet magazines and articles in the Herald Sun, Magpies and Victorian Writer. I’m also very excited to have a poem and short story in the new Charms trilogy which is a joint venture project pulled together by the lovely Sally Odgers. Charms draws together work by many writers into a three part fantasy novel about a magical story-telling crock that a group of five children discover in a house their parents are trying to turn into a boutique hotel. The best part is that each book in the trilogy is aimed at a different age groups: the first is for lower to middle primary, the second middle to upper primary, and the third young teens (it’s a bit darker).

I’ve been lucky enough to have proof read Nadine’s ‘Charm story’ and awesomely spine tingling…

Where do your ideas come from?

That’s a good question… I daydream whenever I can (and sometimes when I shouldn’t, like when I should be making tea, or working) and things kind of mush together in my brain and make interesting questions. Like ‘what if a barbeque was REALLY carried away by flies’ or ‘what happened to poor Puff the magic dragon after Jackie Paper grew up?’. I think we all have amazing ideas, and the trick is catching them and turning them into stories before they escape. I always carry a notebook.

Me too. It’s a good idea.

What do you like to read?

I have two little kids, and really enjoy reading picture books with them (and by myself). When Sally Rippin was my teacher, she really opened my eyes to what an incredible medium they are, and that it is fine to be ‘grown up’ and still love them. I’m also a big fan of young adult books, I’m proud to say I enjoy them more than most adult fiction (although I loved The Rosie Project). At the moment, I’m half way through Randa Abdel-Fattah’s Where the Streets had a Name. It’s awesome. Also the kind of graphic novels that don’t have super heroes in them (there are lots!)

Nadine storytelling at Literature Alive last year as part of the Maurice Saxby Mentorship. That’s Kevin Burgemeestre holding her story up. Good on you Kev!

When and where are you most inspired to write?

Not enough! It’s really hard to find the time between kids and all the other distractions in my life. I find I get really inspired after being around other writers and talking about their stories and ideas, so I try to get out to book launches and festivals when I can.

I wholeheartedly agree.

As to where – somewhere far away from my very distracting house, and near a window. Don’t ask me why!

What are you working on at the moment?

I’ve been working on a project that is part graphic novel, part novel, and part carwash with all the trimmings (that last bit isn’t true). I’ve been at it for a few years (in between poetry and picture book manuscripts) and have just finished a very rough first draft, which is exciting. I’m calling it a hybrid graphic novel, because that sounds cool.

It sure does.

It’s called ‘Dark Room: Do Not Enter’, and is the story of 15-year-old artist Matti Maguire, who goes to her mother’s abandoned photographic dark room to draw and remember. When she realises remembering isn’t enough, she sets out to solve the mystery of the accident that sent her mother to a nursing home nine years ago.

Wow. I want to read this…

If that sounds too deep, it also has a Star Wars re-enactment involving paper planes and a dance inspired by Cocoa Pops. And a really enigmatic black cat.

Now I’m sold.

I’m not illustrating (although I may do some photo collage for part of it), so the graphic bits are written like film scripts.

It sounds thoroughly original and unique. Congratulations.

What is it about the graphic novel genre that fascinates you so much?

Like picture books, graphic novels have infinite scope for telling stories, and I love their filmic qualities. Bruce Mutard has said that he makes films on paper and Nicki Greenberg’s version of Hamlet was ‘staged on the page.’

Unlike film, you can include things that would be extremely expensive or impractical to shoot, you can ponder over the frames and pick up the fine detail, and you can carry them on the train with you and flick through their pages (and go back to check the things you’ve missed).

I love the breadth of graphic novels coming from Australian creators – from the very personal and Melbourne-centred work of Mandy Orr, to Shaun Tan’s amazing The Arrival. They can take years to create, and I guess that’s why I’m looking at a hybrid format. To make things easier for my illustrator!

Do you think that Graphic Novels are a medium in which ‘darker’ stories can be told?

That’s a really interesting question. I guess you can tell dark stories in any medium, but (thinking on my feet here) I guess the pictorial story-telling in graphic novels can allow you to imply darker elements of a story without explicitly stating them and let the reader’s imagination enhance the mood. Or you can represent darker themes in a way that is visually easier for readers to deal with. The famous graphic novel Maus by Art Spiegelman is a good example of this: Jews are mice and Nazis are cats. I’m not sure if that was his intention, but I found the grim subject matter easier to deal with because the victims were not human. It was also handy for working out who was who.

I also loved ‘Jane, the Fox and Me’ written by Fanny Britt and illustrated by Isabel Arsenault . I’m a tragic Jane Eyre fan. This story revolves around a school bullying incident; it’s refreshingly wonderful.

What was your 2013 Maurice Saxby Mentorship experience like?

Unforgettable. I’d highly recommend it to anyone who is trying to get a foothold in the kids or young adult writing industry. Or looking for some inspiration and a reality check! (I’m sure you would too).

Absolutely. It’s been invaluable.

When I got the email letting me know I had been accepted, I had to read it a few times before it sank in. I’d followed Jackie Hosking’s mentorship through her blog and was really excited (and honoured) to be selected.

It came at a time when I was a bit despondent about my chances of making it in such a competitive industry, but spending time with the wonderful creators involved (Elizabeth Honey, Kevin Burgemeestre and Mark Wilson) and watching them in action made me realise that enjoying the process of writing and sharing your work was really important, and something I had control over. So I’m focusing on that!

Me too.

I also met the lovely Helen Chamberlin, ‘the best children’s book publisher in Australia’ and have really enjoyed her support and words of wisdom (which she gives so generously).

Yep, Helen is an amazing person.

The most important thing I got out of the experience was my fellow mentees (including you!) who have been amazing new writing friends. Slaving over a hot computer can be lonely sometimes.

It sure can be.

Thank you so much for visiting my blog today, Nadine. Keep up the good work, I can’t wait to see what happens next with the ‘Dark Room: Do Not Enter’. It sounds amazing…

You can check Nadine out at her website and follow her blog too.

Day 10 Evening Panel Discussion: ‘READING PICTURES’ at Toorak/South Yarra Library

Posted on May 27, 2013April 16, 2019 by Neridah

This event was a new edition to the Literature Alive Program and was an eagerly anticipated panel discussion.

Mandy Cooper, the curator of GALLERY FOR A DAY, was the M.C for the evening and she spoke briefly about what picture books mean to her, that the narrative is in the artwork and that it’s a unique skill it is to make this relationship work. She quoted Children’s Writer and Illustrator Ann James:

“The illustrator must not merely echo the words, they must illustrate between the lines. So the story is like a song -lyrics and music. Each has it’s own voice and part to play. But they must be in tune with one another. They can be discordant but discordant on purpose.”

Mandy then introduced Kevin Burgemeestre to talk about his thoughts on this topic.

Kevin thinks he has the best job in the world. He can’t believe he’s paid to play, that he does all the things he once got into trouble for at school. Kevin tells us how the reader always brings something to the work, whether that is based on their own experiences or their imaginations.

Text gives impetus for drama. It creates sequence. You establish a shot, a scene and you have action and reaction. And it has to be dynamic on the page. There are a number of points of view that create the reaction.

Kevin likes to use metaphor. Through gesture and body language, his character is telling us something symbolic and he reminds us of how religion always used over-wrought alter pieces to get the message through.

Composition is important. For example, how you divide the paper? This connects the art to the narrative particularly well if there is conflict. A fence maybe…

In Kevin’s book, ‘Thunder Mountain’ he deliberately drew his illustrations increasing in size across the page to relate to a counting narrative.

In ‘B for Bravo’ Kevin’s dioramas create drama through shadow and depth and shape and in the mountains scene, the emptiness creates possibility for the plane to fly through.

In regards to point of view, Kevin quite rightly states, the mouse has a different view to the eagle.

In Kevin’s new book, (it’s YA fiction) called ‘Kate’, Kate is protected by ‘Spirit’ the dog and the artwork has deliberate elements of tribal spirit symbolism that relates to the text. Very cool stuff from Kevin.

Elizabeth Honey was introduced next and she spoke about using less words and letting the picture do the talking. We were honoured to see the roughs for a new book. She was in a dilemma and asked us our opinion on the medium she should use. Wow!

It’s a picture book about all the things parents say to children. Families have a way of communicating, they use words that deal with situations or ‘wrangling’ as Elizabeth put it. It was a delightful story.

“Hop up, wriggle over, snuggle in.”

Elizabeth wanted to use the right medium to covey the mood of the book: soft, fluffy and how big should the book be? These were all valid questions.

Elizabeth also showed us how she wrote and re-wrote ‘Not a Nibble’. When you work with water, double spreads are the order for the day.

Elizabeth writes and paints at the same time when she’s creating a book as this allows an economy of words. It also allows her to make pictures intriguing and to not give it all away too early, such as in her book ‘That’s not a Daffodil’

Elizabeth chose to work in gouache on rough watercolour paper that has a deep tooth so she could then layer with oil crayon. There were some difficult perspectives to deal with as the Turkish man next door was huge and trying to fit him in the artwork with the little boy took some time. It’s all about angles…

Mark Wilson works completely different to Kevin and Elizabeth. Yay!

Mark uses dual narratives in historical based stories. By this, I mean he used his illustration and the text to tell the story, all adding a different perspective.

For example, in ‘Angel of Kokoda’ Mark used the illustration of Kari and certain birds, lifelike and carved, that were important to his tribal belief systems as well as the text that was telling the story and a letter from command that described the state of the battle. This layering is really effective storytelling, allowing the reader to put all the pieces together. And there’s so much information here.

‘Vietnam Diary’ used two narratives through illustration. On a double page spread, there are two brothers on opposing sides. On one side of the page, one brother is protesting against the war in Vietnam and Mark has painted this in a dropout, tonal effect. It’s very 60’s in style, representing that era. On the side, the other brother is painted very life-like, clean cut; almost like a photo. This young man (which just happens to be Mark himself) has had his name drawn out of a tattslotto type of machine ordering him to do National Service and join the Army. The illustration is ‘realist’, reflecting his situation at the time. Very cool Mark.

In the book ‘My Mother’s Eyes’ Mark used colour to represent the horror of war, rather than draw that detail for children. He is allowing the reader to use their imagination and through the emotive use of colour: red for fire, anger, blood.

Several people in the audience then had an opportunity to ask our panelists questions and one absolute beauty, which was directed to Mark was: “What artists have influenced your careers, obviously Turner has?”

Mark nearly fell off his chair, he was flattered Turner could be seen in his work. I can see it too now, in the way he uses light to illuminate certain illustrations. Mark rattled off a few other admired artists such as Tom Roberts, whom he has written a book about, ‘Ben & Gracie’s Art Adventure’ & ‘Inside the world of Tom Roberts.’

Kevin loves the artwork of Max Meldrum and Ken Avery (of Bugs Bunny fame), Rembrandt for humanity, Goya, Sidney Nolan, Arthur Boyd, Joy Hester, Fred Williams. Quite a list, but I will have Google Max Meldrum and Ken Avery.

When Elizabeth Honey was asked about admired artists she immediately answered Matisse, and that he strongly influenced her in ‘I’m still awake, Still’. You can see this this in Elizabeth use of long lines and flowing movement. How cool is that!

Overall, the READING PICTURES discussion panel evening was deemed a success and will remain on the agenda for the festival next year. What a great night!

Day 12 ‘Live art in the Mart’ – LITERATURE ALIVE at Prahran Market

Posted on May 27, 2013 by Neridah

Saturday morning dawned bright and sunny and it was a beautiful day at Prahran Market.

There were children doing drawing and doing writing workshops on long white trestle tables with the assistance of Kevin Burgemeestre and Mandy Cooper. There were more little children getting their faces painted. It was a very festive atmosphere.

Proceedings kicked off with a little girl called Natasha reading out aloud her story. She took that microphone and went for it. A natural talent, I believe.

Kevin then showed the children some of his illustrations and artwork and how he goes about writing a children’s picture book. Kevin had two dioramas on display from his book ‘B for Bravo.’

Heather Gallagher read her story ‘The Plug Hole’ which the children just loved.

I then read my latest book ‘Kick it to Me!’

‘Kick it to Me!’ is published by One Day Hill www.onedayhill.com.au

They publish culturally significant Australian stories. An awesome independent publisher.

Nadine recited her picture book ‘Roar’ and there were plenty of roars in response (this is us roaring!)

Nadine also read to us her delightful story ‘Nan’s Umbrella’. She had a few tricky questions for the children afterwards, which they were able to answer with no problems at all (they were definitely listening).

Kevin and Mandy launched into their chosen story time books and the kids rolled around on the hay bales and beanbags, having a ball. Both Kevin and Mandy are master storytellers; excited little people invaded their personal space on more than one occasion. Kevin and Mandy were a big hit. Mandy also has the most beautiful singing voice; she’s missed her vocation!

Heather read a chapter from her new book ‘Ferret on the Loose’ just recently published by New Frontier. It was hilarious.

‘Ferret on the Loose’ by Heather Gallagher is a Little Rocket from New Frontier publishing. It’s for 7+ readers and is available at any good bookstore. There’s a rocket to make in the back of the book. That’s pretty cool!

All in all, it was a perfect day at Prahran Market.

(Thank you to my biggest fan, the wonderful Toby)

I felt quite sad when it was time to say goodbye to Nadine, Heather and Helen, and Kevin and Mandy. As Maurice Saxby Mentees, we have had the most amazing two weeks. But as Helen kindly reminded us, it’s not the end; it’s just the beginning of our friendship.

Nadine, Heather and I (and Laura who is overseas) are already planning our next catch up!

A big thank you must go to Helen Chamberlin for looking after us and guiding us through our work and to Pam Horsey from C.L.A.N who has done a wonderful job planning and organising everything. A big thank you must also go to N.E.E.F and to Stonnington Council.